1890s

1890s

Stories of the Berkshires in the Gilded Age — the houses and the landscapes, the towns around them, and the people who built, planted and ran the whole of it.

These houses are documented as architecture. The drawings survive, the photographs survive, the architects are named. The several thousand people who built them and then ran them are, with few exceptions, written down nowhere.

This site reads the Berkshire cottage era out of the records that do hold them — the Olmsted office’s job files, three county directories that went door to door, and the federal census — and it reads them at the level of the parcel and the name. Everything links back to the scan it came from.

A plate from the 1904 Barnes and Farnham atlas of Berkshire County, with every parcel drawn and its owner's name lettered on it

The county, parcel by parcel

Fourteen thousand names off the 1904 atlas

Barnes & Farnham surveyed every town in Berkshire County and lettered the owner’s name on all fifty-eight plates. All of it is here — the sheets at full resolution, and 14,848 names read off them one at a time.

And it is no longer the only survey on the site. Walling did the same thing in 1858, house by house, with the occupier engraved beside each one; three county directories went door to door in 1874, 1923 and 1926. Put a surname in and you can follow it across seventy years.

Follow a name through seventy years or open the atlas →

Before

What was on this ground before the surveys the rest of the site is built from.

All of Before →

The estates

Each one read from the drawings made for it and from photographs taken while the owners were still in the house. Six of 46 here; the rest are on the estates page.

Stockbridge · 1893–94

Wheatleigh

An introduction and seven stories read out of forty-seven drawings by Olmsted, Olmsted & Eliot for the Henry H. Cook estate — with the drawings themselves, full size.

See Wheatleigh →

Lenox and Stockbridge · 1885–86, 1924–29

Elm Court

The Sloane–Vanderbilt estate, drawn twice by the Olmsted firm for the same woman under two names — and a garden rebuilt in fourteen months, photographed from bare soil to full bloom.

See Elm Court →

Stockbridge · 1893–1956

Shadow Brook

The second largest private house in America, finished in 1893 above the Stockbridge Bowl. Carnegie died in it, the Jesuits made it a novitiate, and it burned in 1956.

See Shadow Brook →

Stockbridge · 1885; gardens 1926–1955

Naumkeag

Stanford White’s house, Nathan Barrett’s gardens, and the thirty years Mabel Choate and Fletcher Steele spent remaking them — including the steps a magazine once captioned, without a name, “MODERN STEPS, painted blue.”

See Naumkeag →

Lenox · 1896–98

Bellefontaine

Carrère & Hastings built it for Giraud Foster with a nod to the Petit Trianon. He lived in it until he died at ninety-four; it burned four years later.

See Bellefontaine →

Lenox · 1901–04

Blantyre

A turpentine fortune and a house sketched on the back of an envelope — with the only complete photographic inventory of a Berkshire cottage’s art collection, made in 1912.

See Blantyre →

All 46 estates →

The work

Designing it, building it, finishing it, running it — and the people themselves. 41 stories, trade by trade.

All the work →

The names

The point of putting five surveys on one site is that you can follow one person across them.

The books and the maps

The sources themselves, reproduced whole and searchable rather than quoted from.

Search, and how it works

One box, four indexes. Stories and houses searches the readable text of every page here. The other three are the sources themselves, held separately because they answer different questions: the 1904 atlas by parcel owner, the directories by name, trade or street, and Walling’s 1858 plans by the name engraved beside a building.

Spelling is the hard part of nineteenth-century records, so the search does not insist on it. A query is matched loosely enough that Procter finds Proctor, and a name that a canvasser or an engraver wrote down wrong is still findable under what you would expect it to be. Nothing is corrected in the sources themselves — the page always shows what the document says.

Search everything or browse the contents →

Why it exists

The site began at Wheatleigh, with the forty-seven Olmsted drawings for that one job, and went outward from there — to the next estate, then to the office that drew them all, then to the people who built and ran them. It is free, carries no advertising, and everything on it links back to the scan it came from.

Keep up with it

New properties go up here as the research turns them up.